Book Review--A Wrinkle in Time - The Graphic Novel

A Wrinkle in Time - The Graphic Novel
Adaptation by Hope Larson
Original by Madeleine L'Engle
Farrar Straus Giroux

“A Wrinkle in Time.”  A book that has been around for almost 50 years now and still has a powerful following.  When you talk to folks that have read the book their eyes and faces light up with joy, as they recall the powerful story and characters of Meg, Charles, Calvin, Aunt Beast, the Red Eye Man...and the rest of the beloved characters.  You can almost see the characters come to life as people talk about the story and share their favorite parts of it.  And as part of the celebration of its 50th anniversary Hope Larson brings her considerable talents to bring the characters to life in a graphic novel adaptation of this timeless story.

Hope Larson is one of my favorite artists/authors out there and she’s the perfect choice for creating this adaptation of “A Wrinkle in Time.”  In her first book, “Salamander Dreams,” she tells us a rather short story of growing up and finding where home is, but she layers deeper meaning within the well chosen words that will leave you pondering the story long after you’ve put it down.  Her simplistic illustrations conveyed depth and life to the characters she created.  Since I first read that book, I’ve eagerly read each new story that she’s put out.  She brings the same passion and depth that she’s created in her own stories, to this adaptation of “A Wrinkle in Time.”

Since most folks that read this adaptation are going to be familiar with the original story (and because I can’t hope to even begin to describe the story well to do it justice) I’m instead going to focus on the adaptation of the book.  One of the great things, and most difficult things, about adaptations is you get to see a story from a different perspective as the author (or someone) choses which parts of the story to carry over into the new work.  It isn’t an easy task as not everything can be included and you’re bound to leave off a bit of the story that was someone’s favorite or you try to capture everything and it just becomes a weird mashup that doesn’t work.  But Hope has done an excellent job of capturing a lot of the depth of the novel and it’s characters in this 400 page adaptation.  While there are things that are left out, Hope captures the essence of the characters and what makes them tick while they undertake this arduous journey to save not only Meg’s father, but themselves as well. Fans of the original story will delight in seeing their favorite scenes brought to life,while newcomers to the story will see the journey into worlds unknown.  And everyone will want to pick up the original story to relive Madelieine L’Engle’s original stories.  

Hope’s artwork is fantastic.  It captures the essence of characters well, especially with Meg.  We see her fear, her hopes, and her dreams brought to life on the page.  We get a true sense of her humanity within the depictions.  Her brother Charles is also well captured, with big eyes, depicting his almost other worldly nature.  It is a bit off putting in some places because you realize he isn’t quite human...something more or something that wasn’t designed quite right.  The other characters and depictions are well done as well, such as seeing mathematical equations depicted.  Hope uses a two color toned system with a pale blue and black.  while at first it might seem that it would hinder the story being told, I found that it actually enhanced it and created something greater.  It helped create the sense of otherworldliness and the characters journey along their path.  It really feels like we’ve left our world and gone somewhere else.  

In short, this a powerful adaptation and fans of the original story and newcomers will all find something to enjoy.  Because it is an adaptation I do recommend that folks read or reread the original at some point, to be able to create their own imagery of the story.  But Hope’s adaptation definitely deserves a place on your bookshelf.

ARC provided by Gina at FirstSecond

Book Review--Tune

Tune
Derek Kirk Kim

FirstSecond

November 2012

Andy is just your average guy. He knows what he wants to do in life--a career in comics--and he has it all planned out. So he leaves art school early to set off on his journey...and quickly finds himself unemployed. His parents soon becoming dissatisfied with his inability to land a job, (and his lounging around the house in his underwear) force him to find a job, any type of job,...or they’ll find one for him. And everything seems to hit rock bottom. No one will hire him, heck a crazy homeless guy gets hired ahead of him at a fast food joint. And then a magical day happens. Andy sees Yumi (his art school crush), discovers that she likes him, and finds a job to work at a zoo! There’s just one problem...the zoo job is an alternate dimension and Andy is one of the exhibits.

I’ve been following Tune since Derek started serializing it as a webcomic and it’s quickly become one of my favorites to keep up with. Although this first volume starts off a bit slow, as its setting up the world and the universe, it picks up pace in the following chapters (that can be viewed online.) In this volume though we get a good sense of the characters that we’ll be following in the series, especially Andy. I like that Andy is your average guy, for the most part. I can see elements of myself in his story, which of course makes me cringe at times (especially when he realizes that Yumi might actually like him) because I’ve made some of the same choices, the same decisions, and my life mirrors Andy in some ways. And that’s what makes this such a great story, that it is easy to relate to Andy and Yumi. We’ve all mapped out our life and had it veer off into different directions (hopefully no one is an exhibit in a zoo though.) I like the sense of humanity and humility that Derek brings to the characters and I can’t wait to see where he takes them next.

Derek’s artwork is very similar Gene Luen Yang, with expressive characters and movements that eerily resemble real life, even in cartoon format. It’s easy to imagine that you could walk out the door and meet Andy, Yumi, and the rest of the gang. Some of my favorite depictions are of the dad, mostly because he hides behind the newspaper and grunts. I love that we don’t get to see his face and the fact that he acts like many dads out there (no, not TV ones..those guys are just fantasy.) The one thing that I will note is that after this volume Les McClaine took over the artwork so that Derek was able to put out the story more often. He has a similar style to Gene’s but he really makes the characters his own (but that’s a discussion for the next volume.)

One thing to note, volume one of Tune is just about to come out in print with volume two scheduled for next year, but if folks don't support the comic by buying the book the series can't continue!  So if you like the comic make sure that you buy the book so that we can keep on seeing the series.   You can read more about why this needs to happen over on the comic site here.

This story has a nice blending of sci-fi and real life, which makes it easy for folks to dive into and read. It’s a story that I highly recommend and I can’t wait to see what happens next. 4 out of 5 stars.

Book Review--Sumo

Sumo
Thien Pham
FirstSecond
December 2012

Scott had dreams of being a pro football player and when those dreams comes crashing down so does the rest of his world.  He doesn’t have a good job, his girlfriend dumped him, and about the only thing left to him is to move to Japan and become a sumo wrestler.  So...Scott leaves his old world behind him, even his name and hair color, to pursue this new dream.  And through the struggles and turmoils he endures, he begins to find a new focus in his world.

The approach to the story is very different that what someone would normally expect.  The story follows Scott through three key turning points in his life and only those three points.  We see Scott as he makes his decision to leave all that he knows behind, the first few weeks of his new life, and the point where he must make the next step in his journey.  Even though many readers are not likely to have experience with sumo wrestling we can relate to the struggles that Scott goes through to find his place in life, to find the balance that he seeks. And at the end of the story the three sections weave together to create a greater story and the hint of something greater.

The great thing that Thien does is the colors used on the pages help the reader know which time period the story is currently in.  The orange/brown shows the present, Scott's training in Japan; the blue pages show Scott’s past back in the states; and the green pages depict Scott upon first arriving in Japan those first few weeks of trying to figure out where he is.   Even better is that the page icons change based upon where you are in the story, with a plate being associated with the present, a water tower for the states, and a fish for those early days.  It’s an interesting way to tell a story and one that I’ve seen Jason Shiga (the color changes at least) use before, but Thien's method seems to be more effective to me.

Thien’s art style in this book reminds me a lot of old woodcuts, both German and Asian.  German with the seemingly heavy figures and the mostly monochromatic pages, and Asian because of the line use that forms the characters and the backgrounds...seemingly wandering around the pages and giving emotion to the people that we meet.  I really enjoy the heavy, yet fluid grace of the artwork.  I also really dig the big wide margins on the page, because it helps draw focus to the story and it helps make the page icons stand out a bit more and help them feel like a part of the story.  Although I initially thought the book should be printed on something with a nice texture to mimic woodcuts, but I like the semigloss paper that they chose, it really makes the colors stand out well.

This is one of those books that when I first read it I felt like I was missing something.  Perhaps it was the fact that stories weaved back and forth and I missed the color changes, or perhaps it’s the fact that I wasn’t quite sure to make of the ending of the story.  So I reread it and upon doing so found the things that I was missing and discovered the depth to this short, yet powerful story.  This is going to be one of those books that isn’t for everyone, because some folks won’t like the setup of weaving back and forth through three points in time.  And yet it is a book that everyone should read at least once and ponder on.  And for those that enjoy it they’ll really treasure it.  4 out of 5 stars.

ARC provided by Gina at FirstSecond

Book Review--Sailor Twain

Sailor Twain or The Mermaid in the Hudson
FirstSecond
Mark Siegel
October 2012


One hundred years ago a steamboat traveled along the Hudson River, captained by a man named Twain.  One dark rainy evening Captain Twain rescues an injured mermaid, carried her back to his cabin and began nursing her back to health.  And from that one act of kindness a terrible event is set in motion, that will shape the lives and destiny of all involved--the captain, a French nobleman named Lafayette, and a reclusive author named C.G. Beaverton with a secret.  For the mermaid has a secret and a curse...and she seeks to ensnare anyone that she can to help her.  There’s only one proven method for breaking the mermaid’s curse.  How many will fall prey to her powers?  And how many will come out whole in the end?

Sailor Twain.  That name just conjures up so many different memories if you’re familiar with literature and Mark Twain.  And while this story doesn’t have Mark Twain in it (it doesn’t reference him though) it does capture that essence of the river and its denizens.  The characters are captivating and from that very first page you want to know what happens to them, what made them be the way they are, especially Lafayette, the French nobleman.  And the situations the characters are placed in feel real, they make you wonder what you would do in a similar situation.  Would you be able to avoid the temptation of the mermaid’s call?  

The thing I love most about this book is the sheer amount of research and historical content that Mark adds to the story.  Dropping in names, characters, and places from the real world to create a fantastic and jaw dropping tale.  FirstSecond is one of my favorite publishers, in part because they’ve been taking chances on the stories they tell and how they deliver these stories to the world.  Lately they’ve taken to serialize some of the comics online--such as Tune, Friends With Boys, and this one--which gives readers a chance to build a community around the work, which ties into my favorite part of the historical context of the story given just how much is shared by Mark and the community at large.  I love the fact that he shares in the blog what influenced him while creating this work, as well as sharing images and articles that fans dug up.  I could see this being a great a book to use in a history class to help reluctant students see history come to life.  Ok yes the teacher would have to explain the mermaid but still...even that was a part of lore during the time period.  I wish that the printed book could capture all of the blog posts and the community built around this story.  Hopefully once the book is printed the posts and comments will remain because they offer such great additional material. 
 

I absolutely love Mark’s illustrations.  The smoky charcoal quality adds an air of mystery and suspense to the story.  It makes it feel like we’re really reading about something that happened on the banks of the Hudson a 100 years ago and I feel like I can hear the river lapping against the shore and the sound of the boats upon the river.  And that’s a feeling that I love.  Mark’s style reminds me of one of my other favorite FirstSecond works, Three Shadows.  Although Three Shadows, charcoal lines are much more fluid and dynamic on the page, Mark captures some of that same intensity within the way his characters move and float on the page.  The one thing that caught me a bit off guard with the print book vs the webbased comic is the paper choice.  In the webbased version you can see that Mark choose a stark white paper to sketch upon, which adds an interesting dynamic to the story with the stark white vs. the stark black.  The printed version is more of a cream color, which helps age the story and adds a different dimension to it, almost as if we’re reading the diary of Captain Twain from a 100 years ago.  I’m a little bit more partial to the webbased version paper, but for those that are just encountering the story for the first time the print version makes it feel like we’re really diving into history.  ***It should be noted that Mark draws the mermaid in her natural state, ie topless (I mean seriously what self respecting mermaid would war clothes?) Just in case you don't like that sort of thing.***

While the story stands alone, I recommend that readers also go and take a look at the blog and the community built there for some great extra material.  This is great addition to any collection and I highly recommend it.  I give the book 5 out of 5 stars.  

Review copy provided by Gina at FirstSecond